Writing Through a Camel’s Eye is inextricably linked, for me, with the experience of coming home. I was born in Geelong, Victoria and my parents built their house at Point Lonsdale, at the tip of the Bellarine Peninsula. When I was in my teens I left home to go to university in Melbourne, and in the late nineteen seventies I moved to Canberra, where I was to remain for the next thirty years.
Through all my years away, Point Lonsdale, small sister town to Queenscliff – the two are practically joined at the hip - became the place of my heart, the place I retreated to in my imagination when the real world got too much.
When I returned to help care for my mother in her last years, I felt first of all the joy of home-coming, each day a revelation, then a flood – once unleashed there was no stopping it – of youthful memories.
Out of this rush of memory and imagination the first of my sea-change mysteries was born.
One memory was of a story I first heard in the 1960s, about a group of young men from the Point Lonsdale Surf Life Saving Club, who stole a camel from a circus camped at the bottom of the club house stairs. This story, part of Point Lonsdale folklore, gave me the beginning of Through a Camel’s Eye. Chris Blackie and Anthea Merritt, the two police constables who are my protagonists, are drawn into searching for a missing woman almost by accident, having been presented with the task of finding a stolen camel and restoring him to his rightful owner.
I’d already written four mystery novels when I embarked on my new one; a quartet set in Canberra, one for each of the four seasons. I knew this book was going to be very different, but there was still some research to be done.
I’d driven past the police station in Gellibrand Street, Queenscliff, countless times, but still felt nervous when I knocked on the door with my notebook in my hand.
I’m comfortable about taking a fair amount of ‘poetic licence’ when creating characters, but I still needed to know what Queenscliff constables were likely to do in certain circumstances, how far their responsibility extended, or could be stretched, and some basic facts.
The police officer I spoke to the day I nervously knocked on the door was very helpful. If he treated some of my questions with wry amusement, then he showed no more than a hint of this, and politely set me on the right track. I was able to thank him for his help again, very recently. Imagine my surprise when I found him running a vegan restaurant in Geelong’s CBD!
Through a Camel’s Eye is what I would call a character-driven mystery; I spend a fair amount of time exploring my main characters’ personalities and psyches, and I make no apology for that. It is also about a domestic murder – grave, endemic in our society, often over-looked. I hope readers will appreciate both the gravity and the novel’s light side. I’m thrilled that it’s being published, and would like to thank everyone who’s been so supportive – my family and friends and the wonderful team at ‘For Pity Sake’.
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